Find composition details, parts / movement information and albums that contain performances of Mi-Parti, for orchestra on AllMusic. Witold Lutosławski. Composer:Witold Lutosławski; Original title: Mi-parti na orkiestrę; year of completion: ; instrumentation: orchestra; commission: Concertgebouw ( Amsterdam). The analysis-interpretation presented here concentrates on one work – Witold Lutoslawski’s orchestral composition ‘Mi-parti’ dating from , of minute.

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The Concerto for Orchestra is the masterpiece of Witold Lutoslawki’s first, tonal period. It’s a colorful, folk-influenced piece that makes an immediate and attractive impression on even a casual listener. The later music is much more challenging, but as with all of this composer’s works, almost self- explanatory in structure and emotional meaning. Lutoslawski, like all successful contemporary composers, forged a personal but pari communicative musical language from a variety of disparate elements.

Pqrti, although it may take mii listening to get into his mature pieces, they repay the attention. Super performances and sound. Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? Share Facebook Twitter Pinterest. Your Amazon Music account is currently associated with a different marketplace.

Witold Lutosławski – Mi-parti () – Music Sales Classical

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Mi-Parti (Full Score)

Top Reviews Most recent Top Luyoslawski. There was a problem filtering reviews right now. Please try again later. Although I lutoslswski confidently echo the previous reviewer’s endorsement of Tortelier’s general excellence in interpreting “modern” music, I certainly want to endorse his praise of this disc.

My affection for the Concerto goes back to Seiji Ozawa’s classic recording of it leading the Chicago Symphony Orchestra on Angel EMIa performance which remains unsurpassed to this day in my opinion and I own many other recordings of the piece.

I need hardly add that the performance of the BBC Philharmonic here on Tortellier’s disc is not really in the same lutoslawdki as the CSO Fritz Reiner left five years earlier and which Ozawa leads, but they do play well in the Concerto and the two other Lutoslawski works here, Mi-Parti in particular.

It’s really a case of the “good” not matching up to the “best. I must add for audiophiles that EMI engineers have brilliantly remastered the Ozawa recording to the extent that it’s sonic splendor exceeds many of their current Red Book CDs. This music is aggressively Modernist, dissonant, and complicated; and it is rugged, majestic, and gorgeous. These are powerful, masterful performances of great masterworks of the 20th century repertoire, and I enjoyed this album every bit as much as I have any other from the very, very best of this genre: Whether you’re familiar with the style and with these works or you’re only beginning to explore Modernism and 20th century classical music, this is one of the very best albums of its kind and I could not recommend it more highly.

It’s a marvelous opportunity for a big virtuoso orchestra to pull out all the stops and offer a full demonstration of lutoxlawski virtuosity, and the BBC Philharmonic is more than up to the task. Leaner and more agile than the Concerto, it’s a gripping showstopper and not at all confusing or difficult, as many listeners find or believe they will find serialism to be. Mi-parti lutosalwski an aleatoric work, and with this one you might need to devote several listenings as it’s a bit difficult; but it’s rewarding and expressive, as well, and it adds an intriguing depth and variety to the album.


Tortelier is perhaps my favorite interpreter of 20th century music: I’ll have to hear a few more of his albums before I decide, but I suspect that I might prefer his work as an interpreter even to that of Pierre Boulez. His expressive grasp of and contribution to Modernist scores them is very impressive. There’s mu problem loading this menu right now. Learn more about Amazon Prime.

Lutoslawski: Concerto for Orchestra; Mi-parti; Musique funèbre

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Mi-parti – Wikipedia

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